Friday, November 28, 2008
What I Loved: A Novel By Siri Hustvedt
I admit, I'm a sucker for a good cover. I know you're not suppose to judge, but I do anyways. What I Loved: A Novel by Siri Hustvedt, has quite the cover art. It featuers a woman in a dress dress looking away, but moreover it is a painting of a womn. That's right, an interesting play on the old red dress woman and art form at the same exact time. Clever huh? The book is about a historian that discovers a painting by an unknown artist and buys it, tracks down the artist and then the two travel along life together as friends. The story akes 25 years (in the book not necessarily that length of time to read) and featuers all sorts of dramatic situations, conversations and overall good storytelling. If you're a good fan of fiction, this is a dramatic recommendation that you'll enjoy.
Here's a review of What I Loved by Siri Hustvedt from Publishers Weekly:
The ardent exchange of ideas underlies all manner of passionate action in Hustvedt's third novel (after The Enchantment of Lily Dahl), a dark tale of two intertwined New York families. "What is memory's perspective? Does the man revise the boy's view or is the imprint relatively static, a vestige of what was once intimately known?" So muses Columbia University art historian Leo Hertzberg as he recalls the love affair between artist Bill ("Seeing is flux") Wechsler and his model/second wife, Violet, whom Leo secretly loves almost as much as his own wife, Erica. Leo and Bill become friends when Leo buys a huge portrait of Violet, the first painting Bill has ever sold, and the two are inseparable ever after. Erica and Bill's first wife, Lucille, give birth to sons in the same year and, soon afterward, the Wechslers buy a loft in the same SoHo building. When the boys are four, Bill and Lucille are divorced, and Bill marries Violet. Linked by their love of art and language (Erica is an English professor and Violet a Ph.D. student with a specialty in 19th-century forms of madness), the two couples talk insatiably about art and life, celebrating triumphs and weathering tragedy together. In its second half, the novel shifts into the terrain of the psychological thriller, as Bill and Lucille's son, Mark, a dangerously charming boy, grows up and slips into a sinister New York club scene. So solid and complex are Hustvedt's characters that the change in pace is effortlessly effected-the plot developments are the natural extension of the author's meticulous examination of relationships and motives. In considering Violet, Leo observes, "Unlike most intellectuals, [she] didn't distinguish between the cerebral and the physical." The same distinctions are blurred in this gripping, seductive novel, a breakout work for Hustvedt.-- didn't distinguish between the cerebral and the physical." The same distinctions are blurred in this gripping, seductive novel, a breakout work for Hustvedt.
Copyright 2002 Reed Business Information, Inc.
The premise alone should have you interested in this book, as Hustvedt presents such a clear delineated path for his characters that you will most undoubtedly be sucked in immediately. What I Loved by Siri Hustvedt is a great piece to recommend to you.